Drawing on concepts from critical race theory, feminist psychoanalysis and deconstruction, the Introduction exposits and explains the importance of developing a protocol of reading the law's language of race anew. "Letters of the Law" is the conceptual term designating this protocol of reading beyond the law's functional effects in or formal divisions from social reality, and toward the law's language of race on its own terms. The fantasy of colorblindness serves as the entry point into the law's language, and is further exposited through case law and critical scholarship on race and law. In the course of this exposition, the Introduction also revises the central theoretical assumptions dominating the study of race and law so that they can better reflect the centrality of fantasy, unconscious desire, and rhetoric and writing to the practice and politics of legal reform and black freedom struggle.

This chapter revisits and restages U.S. Supreme Court cases on affirmative action and the critique of "reverse discrimination" claims within a broader set of jurisprudential and philosophical questions about black citizenship and civil rights. Through a close reading of how the fantasy of colorblindness is articulated in affirmative action law through a multiracial national citizenship constituted against the historical limit of slavery, this chapter argues that the figure of black citizenship occupies a type of legal standing that promises only a constant cancellation of civil rights. The black claim to civil rights not only fails to achieve the status of an affirmative recognition of a citizen subject, but also, its force as a right decomposes the philosophical interdependence between citizenship and civil rights in the broader arena of Equal Protection anti-discrimination jurisprudence.

This chapter examines and explores the formal structure of judicial review in U.S. Supreme Court cases establishing the negative right prohibiting state-enforced racial discrimination codified in the Fourteenth Amendment Equal Protection clause. The fantasy of colorblindness in this doctrinal context is an admission of the limits of the justificatory logic of universal legal reason. Expanding on the abyssal form this limit takes, this chapter argues that colorblind judgment, like classic topographical conceptions of blindness in philosophic knowledge and aesthetic experience, both guards against and contains the excesses of desire, specifically "racial animus", in law. The chapter further explores how the materiality of desire in legal judgment is also where a poetics of the plea takes the form of an enduring echo in constitutional law.

This chapter examines the problem of legal interpretation in constitutional protections of privacy, including the Fourteenth Amendment rights to equal protection and due process, and the Fourth Amendment right requiring probable cause during police searches and seizures of persons and property. It argues that legal interpretations of these privacy rights and the policing such rights delimit both rely on the fantasmatic pursuit of an escaping image, the racial profile, to enforce the universal democratic value of personal sovereignty. The fantasy of colorblindness appears in this doctrinal context as a constitutional gaze that both creates and obscures the racial profile in the imaginative domain of producing legal meaning.

This chapter examines letter writing as a formal, internally produced limit to the erosion of prisoners' First Amendment right to expression. It details how mass incarceration and its administration of various types of civil death, runs up against an epistolary expressivity that is neither extinguished nor sheltered by law, but is the material ground of desire at work in reading the law both to the letter and for its letters. The chapter argues that the fantasy of colorblindness in this context is a territorializing practice of reducing these plural forms of the letter in the law to a mass scene of writing. The chapter concludes with a reading of the agency of a prisoner's letter in Cheryl Dunye's film, Stranger Inside.